Get in Touch → nadiarhook6@gmail.com

Editing, Manuscript Assessments and Mentoring

I work with writers to hone and strengthen poetry, non-fiction and genre-defying manuscripts. My assessments are based on carefully understanding your intention and vision for your writing. In conversation, we work to enhance your work’s art and communicative power at the level of word, line, page, and whole work. My tailored assessments can help you to see your manuscript with new eyes, gain clarity about how to make your work publication-ready, and feel supported and energised in the revision process.

I also offer developmental and copy editing services. I bring to my editing practice a poet’s eye for detail and expression, a depth of knowledge in history and critical theories, and over a decade of experience in creative and scholarly publishing, including as guest editor for Cordite Poetry Review and specialist editor for the Treaty Authority.

Email for rates and to begin the conversation!

‘Working with Nadia, as she offered a manuscript assessment of a hybrid poetry/creative nonfiction collection in development, has been one of the most… fulfilling experiences of my writing life. Nadia offered me a detailed and constructive critique of my work, responding both to questions I had in the writing, and going beyond that to highlight things which arose for her, and which I had not previously considered. She… engaged with the manuscript on its own terms, and was wonderfully considerate of my emotional investment in the work. Best of all, she has left me feeling energised and excited to continue working on my MS. I cannot recommend her highly enough – her input has been incredibly valuable and deeply sustaining.’

– Dr. Catherine Noske, Author and Editor.

‘Nadia’s guidance has been instrumental in developing my appreciation of questions from answers in creative praxis. As she put it, her feedback is ‘suggestive, not prescriptive’—marked by challenging phrases like ‘I wonder if …?’ and ‘Or …?’ and ‘Can the poem …?’ . [We] discussed the ways of suspending a poem between those monkey bars—latching onto a known answer, then teasing the enigma of a piece out, flirting with all its possibilities.’

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– Aditi Arun, Poet and Mentee.